by Thomas M. Pender
As Hollywood clichés go, “the role of a lifetime” is among the top. Still, as I was entrenched in the first third of the newly released DVD Get Low, the phrase kept echoing in my head.
Robert Duvall has had a very long and distinguished career. Along the way, he has actually hit upon several “roles of a lifetime”! From the enigmatic Boo Radley in To Kill A Mockingbird to Tom Hagen in The Godfather, Parts I and II to Lt. Col. Bill Kilgore in Apocalypse Now to his Oscar-winning role of Mac Sledge in Tender Mercies, Duvall has burned a trail of talent across the decades . . . and now, at the age of 80, Duvall gives us Felix Bush in Get Low.
Based on an age-old overtold tale, with no one left to know how much is true, Felix is a Tennessee hermit, self-exiled to his land, and almost never seen in the nearby town. When he is, the townsfolk cross to the other side of the street, mothers hide their children’s eyes, and men spit at him. It seems everybody (except the audience) knows about Felix . . . and it ain’t good.
Coming to the end of his life, or so he opines, Felix decides to throw himself a funeral. He arranges with the local funeral home owners (who are dying for business, if you’ll pardon the easy pun) to arrange a giant gathering and raffle. Tickets are sold, and the winner is to get Felix’s land, which is rich in timber, upon his actual death.
Among the folks interested in Felix’s new publicized “coming out” is a woman (Sissy [Coal Miner’s Daughter] Spacek) who seems to know who he was before he disappeared from society. Also, a pastor from another state is asked twice to attend, first by Felix and then by the undertakers (played with deadpan charm by Bill [Caddyshack] Murray and Lucas [Friday Night Lights] Black). The second time, he comes along. Through the minister and the woman, we learn that Felix has something in his past to be ashamed of, that he’s never completely faced or conquered. Eventually it seems that, one way or another, Felix means to come clean at the funeral party.
Laced with humor, Get Low remains a deep and touching character study. As we learn about the man we don’t understand, we at times fear him, feel for him, pity him, and cheer him. He is, as we each are, a complex human being, even when only a few characteristics show on the surface. Remorse, regret and redemption come to the party, as well, and when the end credits appear, we finally feel that we have indeed met the man they call Felix Bush.
If you’re looking for action, sex, explosions and car chases, the cover art for Get Low (a simple shot of Bill Murray sitting and Robert Duvall standing in a field) will surely scare you away. But if you want to see how intricate writing and subtle acting can truly bring a character to life, see Duvall’s latest triumph. This “role of a lifetime” . . . no matter how many he’s had . . . is worth seeing!